Nothing new around here. My advise, stay out of the Euro, for awhirl. Those jokers will open your eyes fast, ye! Well, we got the joker and the silent letter out, but the goat is just hanging in there. The lesser vehicle is the bea hidden in the helix of which is out! It is just like pollen, it falls off easily, it goes everywhere, but the five must be right. Be a portman. Check your star birds.

Part one: The Joker

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32-adit-ambient-anion-cation-circuit-coitis-commerce -concomitant-constable1-county-dysprosium-errant-exit-hinayana1 -initial-initiate-introit-ion-issue-itenerant-itenerary-janitor-january -janus-mahayana1-obituary-perish-praetor-preterit1-sedition1 -sudden-transient-et-ei- to go, ANION, COMETIA, (SUBITO), (TRANCE), (TRANSIT), TRANSITIVE, Latin- īre, to go, from Greek ienai, to go, Suffixed zero-grade form *i-t-, further suffixed form *i-t-yo-, INITIATE, Latin- initium, entrance, beginning (in-, in; see en-), (VISCOUNT), Latin- comes, (stem comit-), companion, (< "one who goes with another", com-, with; see kom-), suffixed form *i-ter, EURE, Latin- iter, journey, Extended form *ya- (< *yaæ-) in suffixed forms *yā-no, *ya-nu-, JANUS from Latin- iānus, archway, and Iānus, god of doors and the beginning of the year, Sanskrit- yānam, way, (Buddhism, "mode of knowledge," vehicle), Bugs* Joker* Count Dracula* (constable2 - sta-) (hinayana2 - ghē-) (mahayana2 - meg-) (preterit2 - per-1-) (sedition2 - s(w)e-)

Part two: Silent Letter

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15-ago-anchorite-chore-choripetalous-forego-go-gate-gait -gaunlet-hereditament-heir-heridity-hinayana2-inherit -runagate-et-ghē- to release, let go, (in the middle voice), to be released, Old English- gān, to go, Germanic variant form *gaian, Suffixed form *ghē-ro-, Latin hērēs, heir, (? <"orphan" < "bereft"), Possibly suffixed o-grade form *ghō-rō-, "empty space", Greek- khōros, place, country, particular spot, -CHORE, Greek denominative khōrein, to move, go, spread about, make room for, Greek- khōris, khōri, apart, separate, Possibly suffixed zero-grade form *ghæ-t(w)ā-, Old Norse- gata, path, lane, Germanic- *gatwon-, A GOING, Suffixed zero-grade form *ghæ-no-, HINAYANA, from Sanskrit hīna-, inferior, verbal adjective of jahāti, he leaves, lets go (< reduplicated *ghe-ghē-ti, *ghe-gheæ-ti), soft iron transformation* catastasis in leaven* Jack in the heart* Silent Letter* (hinayana1 - ei-)

A hinge must exist in this realm to ex-it, and this link can only be a specific trinity, at least, until someone proves others wise. The chorus in the astragalos is similar to the hinge, but often we perceive a hinge as acute when this is not necessarily true, as the link supplies balance, and in biology, the valance or well-esprited in special matters in coordination with the border.

--anode- a way up, electrolytic versus sis the carrier, to get back*

This has been perceived through history as the ankh which has a handle once the links are made. We immediately ask who is holding the handle. It may be the handle is something that has always been and no one knows based on the time program we seem to be in the middle of. The father and mother are in the mirror now.

anchorite- Latin- annkhōrētēs and anakhōrein almost retired, always going to school*

Our imaginations are restricted by our own images we build as carpenters, sorting our our lives as the preator. It is too easy to walk past the border, and never even sense the link. If you feel it, you can find it. Here is a good example.

It doesn't take a rocketeer to figure out the antenna structure. The anthemion consist of motifs carved as palms or honey suckle. They represent the astragal in the frieze, and the valance, but they are separate, and as the chorus begins to steep, the unicorn grows as the advanced palmettos shown above. The spine sits near the center near the two folds. The helmet serves as the radio. The helix power rests upon the edge.

In the game of chess, the bishops would like you to believe it is ok to cross over in their way. The rooks hold the bearing. The pawns move forward to their death as the Knight sends reverse messages back and forth to the pack. The Queens power is relentless over all until one day the King crosses over to the border, and the gait is increased.

In the game of cards, there is another trinity message between the Kings, Queens, and Jacks and the light house is shining inside the Ace of spades with a palm leaf and spine of the helix resting below. There are many other correlations that will help to understand our history and our journey.

The palettes remain, as they are rows of data, the potter's shovel, and they know. If you would like to grow more, read the story below with links. I consider the Cassiopaean link the primer. However, when approaching this material one must use it as a tool, a way to help navigate the structures you create.

R. Mark Sink  28.3.30
published early: 2008/03/30

http://www.thunderbolts.info/tpod/2005/arch05/050404antarctic-fossil.htm

Making black holes: The spade drill bit uses center for balance and does not go forward based on its own engine as the twist drill bit, which grabs for more based on the engine alone.

The Anoa depressicornis of Celebes and the Philippines, a tropical realm buffalo
odd-toed ungulate   even-toed ungulate   true ungulate
http://www.ultimateungulate.com/Artiodactyla/Bubalus_depressicornis.html

In the last chapter, we ask the question, how does sound travel?

When we hear what we refer to as noise or sound, it is not sound at all. It is our ability to miraculously attune the vibrations we perceived in our brain through the use of a shell. As the energy reaches the shell in wave form, it accumulates near the edge of the shell structure rather than spread across it. Low frequencies will effectively travel easier or be absorbed easier. The pressure differentiation from point to point is also effectively calculated. The cochlea region has an inner chamber with the hammer, anvil, and stirrup sitting inside preparing the arrival of vibrations for the cochlea shell itself that somehow converts the vibrations into electrical signals interrupted by the brain.
Reference: http://focus.aps.org/story/v17/st8

We do understand that matter has density, and the denser the matter, the easier motion can be detected. Waves come in chaotic form and follow the laws set forth by Newton. If this is true, all waves have this shell hidden within them. It rests on the line of which is the realm border[1]. This border is also inside our ear. It is that area of geometry that rests in the schema of the helix and its properties.

So how do we catch these flying helixes, as many have pondered in stone over the centuries? First, let us determine exactly how vibration moves. Once a motion begins, there is an equal and opposing force that is part of the event. This is also happening in the shell.

Some of the answers to these anomalies in our minds can be perceived in how the planets are formed. It is toward life, but our reality is what is sent back, just as when we reach into space and attempt this very feat. We just need to stand on our heads to help get a better orientation. Then you can see the power in the realm border, at least in fear, for as you look below to the blue sky, you see there is nothing to save you. Space is like the machine, a computation generation reflecting signals across the mind field. The brain then perceives them. The computations are there and they seem to simulate a shell's power.

They are the ones that can never be removed it seems, always hanging out at schools. I suggest you read this again, there is always more. In the next chapter, since we are beginning to see that sound is much more than noise, we'll continue to search out relationships in the groups that follow this schema.

[1] The term "realm border" was introduced through the Cassiopaean experiment. It would be important to note that this experiment dealt with messages.

More curious,,,

This is the abundant Knight rearranged 180 degrees. It may represent the ankh balance.

This is the blue monk rearranged 180 degrees still chewing magic it seems. See home page for details about recorded emotional metaphors.

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