Organon - The Children of the Sun and the Secret of Secrets

By the time you begin to read this chapter, you can already have a good understanding of the topic by the list of words above. This chapter is another step up on the ladder so to speak, and who knows where this journey will end other than what we can only predict in our minds that will exist. We have already made some serious distinctions about an order, a way of sorts that shows correlating patterns for our thinking, or centers have you. As I continue to dig out sections of the jurisdiction and the collection of false rules, I am finding the empowering anomaly of geometry and relations to building along with sailing as guiding factors, and so it seems requirements, to understand what Fulcanelli has elaborately described as standing inside a hollow oak. Well, these are big holes and who's been carving on the wall, everyone it seems!

As you can tell from the image above, the left hand that carries the vessel of the great work is not only carried by the Mayan flying Jesus in the same hand, it is better explained by studying the word groups above that represent the arson of envy and her she-male power, in turn, control over her allowing contentment to breath.

The fire in our psyche is real, and is closely associated with what Alchemists would label the "Philosopher's Egg", but this may only be a coded metaphor, and to be honest, all words are, but some with much more weight. It is also stated it is a rebis in that it has the same white with red. This is the sign of the Aries and the sign of the first cross. I will discuss this cross more, and reveal an interpretation of the three R's and their meaning, but first, let's ground our discussion on this topic.

When she is dry enough, and your knowledge high enough, the tears will rush out your eyes. The Medusa is nailed to the trees with three nails and cooked. The ash is all that is left which is food for the Garden of Hesperides. If we are to prepare the soil at all, we at least must do it wisely.

Nature is sending us clear messages about these alchemical feelings. The bracket in some ways has the same power as the architrave, it has a partner. These species of plants are intelligent and thrive using knowledge related to acidity and alkalinity relationships.

bracken: Pteridium aquilinum- wild fern with deep rhizomes capable of surviving fires, spores on fronds underside leaves, 3-5 feet in height with brown stem, very adaptable to risk environment.
birch: northern hemisphere Betula, close grain with plant-propagation habits make excellent usability in all environments, #1 in market use, unisexual flowers in cattkins, alternate simple toothed leaves, many different colors from white, yellow, blue, resin, and all are now becoming endangered in their respective habitats.
aspen: the talking tree, leaf fluttering Populus with flattened leaf stalks, smart community species, Middle English- aspe, advanced root systems, see Populus

Chapter 7 reference: ≈perspective-respect-species-speciman-speculate-spectrum-spy-et-spek- to observe, French- espier, to watch, Germanic derivative *spehōn-, watcher, Latin- -spex (< *-spek-), "he who sees", HOROSCOPE, TELESCOPE, metathesized Greek skopos, one who watches, object of attention and its denominative skopein (< "skop-eyo-), to see, watch the keel*

These are all species that watch the keel, they seem aware of the balance between acid and alkaline as a wet environment opens the door to acid intake and unpredictable growth and too much alkaline destroys water life but is necessary, so it seems these species pick areas where they can not only control this aspect, but competition, and predation. Also, as far as woodworking, these are superior. The discussion of other types of woods should come later when related.

In the second part of this chapter, we'll cover the negative aspects of the word groups, but now, we must go for the silver and gold. There is much to reveal from the translation done by Mary Sworder in the "Le Mystère des Cathédrales - Fulcanelli -Master Alchemist" illustrated book to share. Unfortunately, I can only provide bits and pieces when a whole book is deserving of this topic. I will attempt to list all the correlations at once to better assist in consuming this knowledge.

Since gothic art did not originate from the Goths according to this book, it was important to make the connection between their truer origins and what ogival represents. This substitution, as with millions of other words that metaphorically change meaning, are related to art and what is known as an ogee. In shape shifting, the ogee represents the 3rd, it is commonly known as the S curve where once a cove begins, it then begins to snake in the opposite direction. This is part of the 3 R's. The first is the line, and the second is the fillet or turn, in any direction, it's up to you. This was an idea I had realized many years ago about shapes, and how they are made, but I could never apply them to anything else. We can only use these 3 it seems, there are no others, everything begins with them. They are also represented in the male-female-child sequence of power and help to understand them comes from the derivatives.

Without getting directly into the way the Medusa and meditation foolery has evolved into a clearer picture to understand, let's first try to understand the power structure with the assistance from Fullcanelli and his book that was published through the help from other brothers in same direction. Many clues come forth in the book of which should be noted here. I should also thank Laura Knight-Jadczyk for leading me to this book and much of the mystery around Fullcanelli and his writings, also known as Jules Violle.

"For me, gothic art (art gotheque) is simply a corruption of the word artgotique (cant), which sounds exactly the same. This is in conformity of the phonetic law, which governs the traditional cabala in every language and does not pay attention to spellings." [...]

This seems to hint a culture that was highly concerned with sounds and this may be related to the Mayans of the ancients before westside or eastside gothics. They spoke a "green language" and approached Colchis to attain the Golden Fleece. They are still today referred to as voyants or "seers" that sit outside accepted legalistics.

"Faith gives us a presentiment of what this is. Revelation gives us absolute proof. What unsuspected marvels we should find, if we knew how to dissect words, to strip them of their bark and liberate the spirit, the divine light that which is within." [...]

Words like art and cot may actually be related to the hammock, as this can be considered the inevitable result of the trave, where this is the partnership beam. If you view the bracket on the Lallemant Mansion, it almost seems like he is holding up the trave in the bodily form of a hammock.

"[Our bodies have roots in the air and heads on the ground], say the Wise. The spirit is the lodestone sealed in the belly of Aries which must be seized with speed and skill at the moment of its birth." [...]

This secret water referred to as "The Fountain of Trévisan" in which the King divest himself of his purple cloak for a black one is the creation of Medusa. This water is not like water from the clouds but has the same appearance.

"In another place he describes it for us under the name of steel and magnet, since it is verifiable magnet, which attracts to itself all the the influences of the sky, the sun, the moon, and the stars, in order to transmit them to Earth. He says that this steel is found in Aries which also marks the beginning of spring."[...]

According the the way of the alchemist, he must make his vessel himself by receiving all the light that is necessary on the egg shell [knowledge] and this would represent the secretum secretorum (secret of secrets). In the chapel of the mansion, on the ceiling is the open book consumed by fire beside the radiant dove with the aureole, and this is how the Medusa is handled, the vulture [not a crow] is pecking away on the remains of the head. In the center of these three motifs and just below is the ball in the chalice with the 3 to the upper left, and the R, to the upper right. [chapel ceiling detail on page 158-9]

The Sulfur and the Elixir help to guide one to the philosopher's stone. It now seems that Mercury, Venus, Earth, Mars, the Sun, and the Moon are significantly representative in our psyche structure with the mapping being done at intricate levels. We must ask, why is the Sun always painted yellow? Is this the mirror and no more than elixir time? There is also the issue with argon and helium and phosphorous being clear on the other side of the 3rd family of elements that leads to more study it seems. Here are some thoughts about the argon relationship.

If the proper work is done, the pollen that falls from the love of plants for bees and orgy of life, will provide knowledge that when used to burn away the illusions, the organisms do not attack you, they assist you, and this is represented in the display of the bee society and their relationship to pollen provided by plants. The plants assist them, and the bees assist the plants. If humans aggressively propagate cultivation of Earth, the signal their bodies emit may be negative. This is how mother nature knows best and you may wonder about the tornado that took away your loved ones. It can only be said, all life has risk, ask the bracken. I would also say that what is perceived of the word allergy is not true. It is more about the presentiment of Medusa.

3-architrave-thorp-trave-et-treb- dwelling, hamlet, beam, timber, male*

So now, let's begin to look at how Medusa is created. The architrave represents a specific point in the trave structure, the lowest point in the entablature which is the section that sits on top of a column or wall for that matter and begins to change direction toward the trave balance required, and pitch for water travel. So you see, travel, or direction is important. The cornice is representative of the top or upper sections of the entablature section, often with a crown effect, as with a King. Then, across the middle of the trave or beam here is where the thithers begin, Thor on one side, Thoth on the other, Thunder and Lightning at noon.

The pit of snakes are on the head, but the head is on the ground, as the Wise say. The beam you see is the one from your own eye and this is the frieze, the center section across the trave supported by the base architrave section that rests directly on the support. The Medusa is often referred to in stories where she freezes in position. Do you see the relationship?

Instead of a life pathos of order such as the possibility male 1, female 2, child, 3, male=straight line connection to points 1 or 2, female has elements of both points, child has elements of only an extension of one of the two points; a modification happens and this has to do with logistics in thinking related to appropriation of concepts and beliefs.

In searching for the answers to the zoon and mythos machine control mechanisms which are in fact commonly present on the Internet, we can begin to discern the beast manifestations that prevent the elliptical aspe formation of the soul. This next section will describe this anomaly and the production of worms for the beasts.

25-adorn-alarm-aristocracy-arithmetic-arm-armadillo-armature-army-art-article-artist-disarm-harmony
-hatred-inert-order-ordinary-ornate-rate-ratio-read-reason-riddle-rite-rhyme-et-ar- to fit together, Latin- arma, tools, Latin- armus, upper arm, INERTIA, Greek- artios, fitting, even, Latin- artus, join, Greek- arthron, joint, Greek- aristos, best, COORDINATION, Latin- ōrdō, order, Latin- ōrdīrī, to begin to weave, Latin- ōrnāre, to adorn, Latin- rērī, to consider, Old English- *rēdan, condition; rēden- hatred, Germanic- *rēdaz, LOGARITHAM, RHYME, from a Germanic source akin to Old High German- rīm, number, series, alternately together*